Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,  Related Paintings of PERUGINO, Pietro :. | Portrait of a Young Man | The Lamentation over the Dead Christ | The Crucifixion with the Virgin and Saints | Tobias with the Angel Raphael sgh | Madonna and Child with Four Saints (Tezi Altarpiece) af |
Related Artists:
Antoine Berjon
French Romantic Painter, 1754-1843,French painter, teacher and designer. According to his uncorroborated 19th-century biographer J. Gaubin, he was intended for holy orders and began studying flower painting as a novice (Rev. Lyon., i, 1856). Certainly he studied drawing under the sculptor Antoine-Michel Perrache (1726-79) and worked for Lyon's silk industry as a textile designer, visiting Paris annually, ostensibly to keep abreast of the latest fashions. He first exhibited at the Paris Salon of 1791 and settled in Paris in about 1794, probably as a consequence of the catastrophic siege and destruction of Lyon by revolutionary forces the previous year. Initially he eked out a precarious living decorating snuff-boxes and painting miniatures, supported by friends such as Marceline Desbordes-Valmore, the poetess, and the miniature painter Jean-Baptiste Augustin, to whom Berjon dedicated The Gift (1797; Lyon, Mus. B.-A.). He contributed to seven Paris Salons between 1796 and 1819 and again in 1842, and he had built up a considerable reputation for his work by the early 19th century.
SASSOFERRATO
Italian Baroque Era Painter, 1609-1685 Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church
lhote
Andre Lhote (5 July 1885 -- 25 January 1962) was a French sculptor and painter of figure subjects, portraits, landscapes and still life. He was also very active and influential as a teacher and writer on art. Lhote was born in Bordeaux and learnt wood carving and sculpture from the age of 12, when his father apprenticed him to a local furniture maker to be trained as a sculptor in wood. He enrolled at the École des Beaux-Arts in Bordeaux in 1898 and studied decorative sculpture until 1904. Whilst there, he began to paint in his spare time and he left home in 1905, moving into his own studio to devote himself to painting. He was influenced by Gauguin and C??zanne and held his first one-man exhibition at the Galerie Druet in 1910, four years after he had moved to Paris. After initially working in a Fauvist style, Lhote shifted towards Cubism and joined the Section d'Or group in 1912, exhibiting at the Salon de la Section d'Or. He was alongside some of the fathers of modern art, including Gleizes, Villon, Duchamp, Metzinger, Picabia and La Fresnaye. The outbreak of the First World War interrupted his work and, after discharge from the army in 1917, he became one of the group of Cubists supported by Leonce Rosenberg. In 1918, he co-founded Nouvelle Revue Française, the art journal to which he contributed articles on art theory until 1940. Lhote taught at the Academie Notre-Dame des Champs from 1918 to 1920 and later taught at other Paris art schools including his own school, which he founded in Montparnasse in 1922. Lhote lectured extensively in France and abroad, including Belgium, England, Italy and, from the 1950s, also in Egypt and Brazil. His work was awarded with the Grand Prix National de Peinture in 1955, and the UNESCO commission for sculpture appointed Lhote president of the International Association of Painters, Engravers and Sculptors. Lhote died in Paris in 1962.